Issac Hayes

Isaac Hayes - Shaft & Cafe Regio's

Outtake footage like this is better than watching the original film. I remember going to see this film in a Birmingham flee pit in 1971. The cinema had still got gas lighting in the passageways even in those days. The first thing I noticed was the sound in the film was a different mix to the Shaft album, more basic perhaps a little raw!

Anyway this footage shows the guitarist with an un-lit cigarette to relax his nerves perhaps and Isaac at the piano with the films producer Gordon Parkes watching over it all - wonderful

I do remember a withdrawn version of the Shaft single having some swearing in it, this must be quite rare now, does anybody else know about this? The song begins with a sixteenth-note hi-hat ride pattern, played by Willie Hall, which was drawn from a break on Otis Redding's "Try A Little Tenderness", a Stax record on which Hayes had played. Also featuring heavily in the intro is Charles Pitts' guitar, which uses a wah-wah effect common in 1970s funk; the riff had originally been written for an unfinished Stax song. The synthesized keyboard is played by Hayes. Even on the edited single version, the intro lasts for more than two and a half minutes before any vocals are heard.

The lyrics describe John Shaft's coolness, courage, and sex appeal, and Hayes' lead vocals are punctuated by a trio of female backup singers. At one famous moment, Hayes calls Shaft "a bad mother—" before the backup singers (one of whom is Tony Orlando & Dawn's Telma Hopkins) interrupt the implied profanity with the line "Shut yo' mouth!" Hayes immediately defends himself by replying that he's "only talking about Shaft," with the back-up vocalists replying, "We can dig it." Other well-known passages include "You're damn right!" also uttered by Hayes, and "He's a complicated man/but no one understands him/but his woman/John Shaft."

The song was considered very racy for its time; as late as 1990, censors at the FOX Network thought it too risqué to be sung on The Simpsons (until it was demonstrated that the song had indeed been played on television before).

According to Melvin Van Peebles, the original production was of a white detective story, but after the success of Sweet Sweetback's Baadasssss Song (1971), the original script was scrapped in favor of an adaptation of Ernest Tidyman's 1970 novel Shaft, which focused on an African-American detective. Tidyman, who was white, was an editor at The New York Times prior to becoming a novelist. He sold the movie rights to Shaft by showing the galley proofs to the studio (the novel had not yet been published). Tidyman was honored by the NAACP for his work on the Shaft movies and books. - Wikipdia extracts