King Curtis - Memphis Soul Stew (1970)In the late 60's I was mad on saxophone solos on great soul tunes. Responsible for many of them was Curtis Ousley. He was a must with Atlantic artistes like Aretha Franklin.
I had a few of his albums where he did cover versions of soul tunes of the day. This track though I thought was great because it introduced new music fans to what noises were making what on records. Describing it like it was a sort of a stew and these are the ingredients necessary, nice touch.
Curtis was born in Fort Worth, Texas. During the 1950s and early to mid 1960s he both worked as a session player on such records as "Yakety Yak" and recorded his own singles. He played on the Buddy Holly song "Reminiscing," after Buddy personally hired him to do some studio work. His best known singles from this period are "Soul Twist" (Enjoy Records) and "Soul Serenade" (Capitol Records).
In 1965 he moved to Atlantic Records, where his most successful singles were "Memphis Soul Stew" and "Ode to Billie Joe", both released in 1967. He led Aretha Franklin's backup band, The Kingpins, and produced records, at first with Jerry Wexler and then by himself. He also recorded for Groove Records.
One of his last releases was the critically acclaimed Live At Fillmore West which boasted heavyweight live versions of "Memphis Soul Stew" and Led Zeppelin's "Whole Lotta Love" and Stevie Wonder's "Signed, Sealed, Delivered". Musicians Billy Preston (organ), Jerry Jemmott (bass), Cornell Dupree (guitar; Curtis had a long standing relationship with Dupree), Pancho Morales (percussion), Bernard Purdie (drums) and The Memphis Horns backed up Curtis.
The album's live version of Procol Harum's Whiter Shade of Pale was used as the title music in the seminal 1980s British comedy film Withnail & I. Curtis also played a rousing sax solo on "It's So Hard", a song featured on John Lennon's Imagine album, which was released just weeks after his death.
No comments:
Post a Comment